•The only indigenous script in Africa in use today
•90% of the Nile comes from Ethiopia
•Home one of the oldest mosque in the world
•Home to one of the first Christian nations in the world
•Ethiopian Christianity has a unique similarity to both Islam and Judaism
•Unique type of Christianity found no where else
•Unique Bible, with more chapters than anywhere else
•Ethiopian Airline is the only African owned major carrier
•Home to Ancient forms of hominids
•Ethiopia is the most populous landlocked nation in the world
•Ethiopia has some of Africa’s highest mountains
•Ethiopia has the world’s lowest points below sea level.
•The largest cave in Africa is located in Ethiopia at Sof Omar.
•Ethiopia has one of the largest number of rivers in the world
•Highest density of African owned business in Africa
•Source of Blue Nile which allowed Egypt to flourish
•The only sovereign nation in Africa to defeat colonialist designs
•Source of the Semitic languages : Arabic, Hebrew, Amharic, Gurage, etc
•Home to one of Africa’s greatest kingdoms : Axsum
•700 Year of genealogy contained in the Kebra Negast
•Home to the most diverse African ethnic groups; Mursi, Hamer, Surman, etc.
•Known for some of the most beautiful women in the world
2 thoughts on “The Enduring Significance of Ethiopia”
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Dear Sir,
I deem it a great honour writing Rasta Livewire magazine. I’m a Cameroonian living in Buea, poetry and prose writer and member of Anglophone Cameroon Writers’ Association (ACWA), Cave Canem Foundation (Home for black Poetry),NYC and author of three poetry collections known as ‘The Gong Trilogy’:
-The Griot’s Hymns
-Songs of African Roses
-Creeds of Primeval Griots.
The collections were published by Lulu.com on 8th of January 2015 and critiqued and reviewed on 23th April by International research Council on African Literature & Culture (IRCALC) in the ‘Journal of African Literature No. 12.
I’m a holder of the Cameroon General Certificate of Education (GCE) Advanced Levels but due to lack of finance after my A-Levels I could not proceed to the university. In all these frustrations I became a prolific reader, absorbing anything I could find in terms of books, magazines, newspapers, watching news, listening to the radio and, above all, buried my head ‘inside’ the, Atlas Of Africa, published by “Jeune Afrique” (under the direction of Regine Van Chi-Bonnardel and under the publishing director Danielle Ben Yahmed), a book my father of late had, the 1974 edition. I always found my father (Abun Tom Dzenchuo) focusing his gaze on the pages, for he was unlettered but could somehow pronounce the names of African countries from scraps of English words he picked up at the jobsite from the White superiors in Cameroon Development Corporation (CDC, in agro-industrial plantation he was employed in, in the South West) and from public offices where he went to fix dossiers, most probably his children’s birth certificates.That is how I became addicted to the woes Africa finds itself inundated in.
My emblem, the double gong, was conceived from the fact that in Africa it was the earliest form of media communication used for summoning villagers to the palace when there is an emergency: an attack by slave raiders, intertribal wars, and village cleansings by priests to appease a particular god, traditional marriages or cultural merriment et cetera as these collections are a clarion call for Africans to unite with one constitution (as a single republic) and industrialize, trade with the world as well as cultural exchange.
For it is noteworthy that Africa is further fragmenting while her resources foster industrialization round the world: first came the Europeans in the 19th century ‘Scramble for Africa’, joined by the Americans and now the Chinese. It is a great pity that the entire continental GDP of African can not match that of Great Britain or France or Germany (let alone China or the US).
If the European countries have converged into a mega economy how much less can the individual African countries compete with them if the entire 54 countries’ GDP can not even match that of France or Germany or Britain alone?-it is as impossible as a male giving birth!
That is why ‘The Gong Trilogy’ collections acts as a distress call for Africans at home and the Diaspora have to wake up for time now is our ally: truly future generations of Africans must be inheritors, not just survival. Human capital we lack not and mineral and natural resources are in abundant, we must even go espionage.
In ‘The Griots Hymns’ you find poems like Sankara’s Immortal Gaze, Lumumba’s Tears, Prince of Peace (Dag Hammarskjöld), The Humble Genius (Late Professor Victor Anomah Ngu) et cetera. These collections are to be used in the University of Buea in the next academic year,
Sankara’s Immortal Gaze
Self-epitaphed, while revolutionaries, as individuals
Can be murdered their idea you cannot kill
Against malevolent forces that keep Africa in chains you
fought
Even international imperialism and neo-colonial
governments
Prison bars of monsters you broke
And a new future for Africa dared to invent
Modernization, against western style dictates
O son from the Land of Upright Men
Burkina Faso.
Your courage to face your demise
The world’s poorest president
Like a shrine consulted, tearful souls keep visiting your
grave
The golden truth: unto your Creator return you man…
For with nothing into the world you come.
Palace Elysee, master extinguisher of African luminaries,
Gloated great Paris at your quietus
But the fires of your dreams by your exits was rekindled
O African of heaven-borne nobility
A servant of none but Almighty Jehovah
And fellow princes of God: Lumumba, Cabral, Gadhaffi,
Nkrumah
Biko, Garang, Machel, Mandela
In your hour of departure unhesitating,
O starred beret adorned of heaven’s Marxist
revolutionaries
At the golden sun eternally gazed
Into the city of light beckon’d on by opened portals
And from the glistering desert sand dunes
Shading your delicate remains witnessed the descent of the
holy glow
And stirred your spirit from slumber sleep
Into the light of heaven, golden
Awakened by the Master’s touch, up to recline in the
pillow of peace
And satisfied of legacy regal to humanity
Roots of the ancestors
O mighty Pan African saint!
Lumumba’s Tears (page 19)
Africa unite
The colonial divide bridge into brotherhoods
Yourself from neo-colonial pieces defragment
And to the world hoist a great statehood
Listen to the message of my tears
In the western complicity of my death
Lest our dreams for seamlessness be shattered
And independence victories all these years blighted
Fellow patriots refuse not the last of my breathes uttered
At the threshold of eternity
O Congo and Mother Africa,
The sanguinary superpowers to thee breed but enmity
The troubling continuities pitting Brothers against
themselves
The dense cloud to shroud our brightest dreams
Industrialized, the land with promise
And minerals and wealth you have in abundance
Thrust ahead with the union, Africanocrats, even after my
demise
At the hands of the CIA, MI6 and Belgians, UN
remonstrance
Prince of Peace (pages 20-21)
It was daring angels would from recoil
Great Swedish aristocrat
Make way for a straight path. Your calling so demands
With nobility of soul transcending ideological bars
O unconventional diplomat. The great pacifist
Under the blue canopy of world peace,
With realization neither capitalism nor communism
In its best satisfies humanity’s unlimited needs
But the bridge for peace and fraternity
And decolonization! And against European racial
superiority in Africa
Under the guardianship of the Omnipotence
A view you were revealed far beyond your time
And the Congo? UN flaws revealed
The jagged saws of ideological demands
O Dag Hammarskjöld, Prince of Peace
Patience exhausted, spat you fire with brimstone to impart
UN decisions
Unassuming Commander-in-Chief, your Operation
Morthorn
Disarming war by arming peace in the superpowers
rivalries
Your demise quaked the world in disquieting heartthrobs
That capitalism’s smoking guns veiled
And of sanity humanity is robbed
A genius diplomat of rare gem
Your unconformity gifts further published by death
Fierce Swedish diplomat, at Ndola you met your end
British and American mining companies supporting
Katanga rebels
Daughters of Africa in mournful stares
African talking drums in threnody beats
Wrath of cold war monsters unmasked
But the radiance of heaven illumined your parting hours
After a dark and troubled pilgrimage on earth
Even tunes of the griots’ tell of your footprints of
destiny
And now your sun sets clear, across the stream
In the evening of tranquility and repose
A great amongst souls, taking your seat in the pantheon
yonder the skies.
The Humble Genius (pages 41-42)
Angels tread amongst humans unhinge’d
Dejected in appearance, arresting disuse
But to the world beauty would bring
Your humility deeply etched in your features
Seraphs would from it mirror meekness
From the light of a genius’ soul
O erudite scientist, gem of the purest serene
In the heart of Equatorial Africa forth you came
In the medical, prob’d your further afield
Enveloped humanity groans under the AIDS scorch
In a world darkened by predatory ailments
But the noble soul of yours to it would not bow
To Eternity’s flame would gaze longer
A lone but dazzling ray of the master Sun
Disease, ignorance, the unattainable
Must in submission bow
The reverence gifts of heaven in geniuses
Rare steps on the sands of time
In their discoveries, inventions, finds
Tread amongst men, mingling amongst angels
That man was in the image of the Divine made
Vanilla from healing angels, you brought
That our world may be disease free, dis-ease no more
By your incessant knocks at the golden door
Where mirrors the master’s healing hand
Which when stirred, would into the human mind drop an
idea
To humanity a balm is conceived
Our world a cure is found
O statesman, military, academic, researcher
But heaven-borne seed rarely germinates
Barely would on the sea of ignorance sprout
Humanity is by this vice, vulnerably, cursed
Infamy to condemn the unknown
But you treaded where angels would recoil
O Cameroonian, meekly Victor Anomah Ngu
To Canadian and Californian scientists you signed
Projection of your discoveries, by partnering contracts
O African. But yonder the Atlantic conmen are borne
To obliterate your works O black genius-borne
The fires of your noble soul
In the glow of eternity’s flame
That illumines, in myriad fields, our dark world with
-geniuses
Fair science frowned at your skin colour
But heaven did not recompense at your gift, humble
genius
A merit you sought not to advertise
And a bounty angel would for crave
In Bamenda you relish’d Achu reipe and raffia wine
But now across the gulf, mingling with Archangels
Eat you of fruits of the Tree of life, splash’d woth joy
Recline you in the embrace of peace where the sun never
fades.
Achu: a Cameroonian cuisine of pounded cocoyam eaten with tasty yellow soup made of dried bush meat, smoked fish and local ingredients. Originally it was North West dish but now a national fares in most menus.
In Creeds of Primeval Griots collection
The Last Roes (page 60)
Until now I’ve come to accept it
The moments that light up my heart, in retrospect
The moment that opens the floodgates of tears, too
His face I shall see no more
His kisses I shall forever miss
Even the jokes that lit me up with laughter
Teasing my heart unguarded
Even my body bared in love, those moments
Has a woman ever seen true warmth of romance?
Coiled around his body we glued in affection
The last embrace I didn’t foresee
Until now I’ve come to accept it
It was a hope I kept dreaming, awaiting his return
The engagement ring binding me to his love
For duty he is called up
UN’s Blue Beret for Darfur-war-torn Sudan
Out nation he must serve first
Duty before love, what a valour
Until the brightest dream of our love, on me flashed
Beaming I bliss within, the fateful moment
Time am rang of his death, a paradox of fate,
Dead, killed in the line of duty
Until now I’ve come to accept it
The day the casket arrived draped in tricolours
Green, Red, Yellow –gold star on the red
Gold Star on the red
The joy in my anger,
Truly his love was sincere
The last rose in my heart
The rose on the casket
Forever he was mine, truly mine.
Poetry to me is like identifying with the storm: those heart-renting moments that unbar the portals of inspiration for creativity- the truest shades of inner beauty in man overspreading the whole of nature whether the sciences or Bantus (African) painting or music, though.
Thanks,
NN Dzenchuo
(+237) 676380448
NN Dzenchuo, A Pan African Poet